Optimized for large-format lenses, the LPL lens mount fitted to ALEXA LF and ALEXA Mini LF cameras accepts ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. The PL-to-LPL adapter, which attaches securely to the LPL lens mount without tools, offers backwards compatibility with all PL mount lenses, be they Super 35 or full frame. LDS-2 or /i lens metadata is accessible via the LPL mount, and LDS-1 or /i via the PL-to-LPL adapter. ARRI’s Frame Line and Lens Illumination Tool, available in the Learn & Help/Tools section of the ARRI website, illustrates how much of the large-format sensor is covered by a given lens.
Other manufacturers, such as Panavision and Vantage, offer proprietary lens mounts for the ALEXA LF and ALEXA Mini LF cameras, to support their own lens ranges. Cinematographers therefore have an almost unlimited lens choice when shooting with ARRI large-format cameras.
RED DIGITAL CINEMA
RED Epic-W Helium 8K
AVAILABLE TO RENT!
A DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and is offered with four sensor options - delivering incredible dynamic range and up to 8K resolution. With features like cable-free peripherals, integrated media bay, wireless control, DSMC2 is the most powerful and intuitive camera to date. It is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.
• 35.4 Megapixel CMOS Sensor • 29.90 mm x 15.77 mm (Diag: 33.80 mm) • 60 fps at 8K Full Format (8192 × 4320) • 75 fps at 8K 2.4:1 (8192 × 3456)
RED DIGITAL CINEMA
RED Gemini 5K
AVAILABLE TO RENT!
A DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and is offered with four sensor options - delivering incredible dynamic range and up to 8K resolution. With features like cable-free peripherals, integrated media bay, wireless control, DSMC2 is the most powerful and intuitive camera to date. It is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.
• 15.4 Megapixel Dual Sensitivity CMOS Sensor • 30.72 mm x 18 mm (Diagonal: 35.61 mm) • 96 fps at 5K Full Format (5120 × 2700) • 75 fps at 5K Full Height 1.7:1 (5120 × 3000)
RED DIGITAL CINEMA
RED Komodo 6K
AVAILABLE TO RENT!
The RED KOMODO 6K camera is RED Digital Cinema’s entry-level level camera that features an adaptable RF-style mount and upto 280 Mbps 6K/40p recording to CFast 2.0 media.
• Record up to 6K60 Video • ZRAW Recording • 14 Stops of Dynamic Range • Super 35 CMOS Sensor • Canon EF & MFT Lens Mounts • 10-Bit Color Recording • 5G Wireless Support, Timecode Support • Gigabit Ethernet for Data and Control • Live Streaming via Ethernet • iOS App for Control and Live Preview
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